Work


And Time Can Do So Much


2018 - 2022

Ink on paper, velvet fabric




As If I'm Not There


2022

Wool sock, audio, speaker


Melancholic sound piece on loop inside a sock.




1. Personal Disasters (homage to Louise Bourgeois)

2. Guilt Trip (homage to Louise Bourgeois)


2022

Acrylic ink on canvas




Miu Miu & You


2021

Acrylic ink on canvas




The Ecountless


2021

Grey jeans, laptop


Video Installation. In this case further explanation would be unnecessary.


She Pans


2021

Sheep wool


A pile of uncleaned wool is my homage to Pan, the goat god of the wild, rustic music and panic. Panning right to left, the sheep herds him, the god of sex, away from inappropriate lurings.


Songbird in Ballast


2021
Cashmere wool and wood, two elements, beechwood, 66,6 x 66,6 x 66,6 cm, and pinewood 55,5 x 55,5 x 55,5 cm


A music composition braided in wool inside wooden cubes.


Disrepute


2020
Sound piece for radio, 6min34


Two channels recording of a fly stuck in a windowsill interwoven with the artist's voice imitating the fly. Sound piece commissioned for the radioshow Revenir et dire ça : Pièces vocales / Vocal pieces on DUUU radio.


Link


Le Tempo de Sunna


2019
Sound-system, sound-card, laptop, effects, midi-keyboard, cables, socks


A music performance combining sound, socks, spoken word and voice manipulation at La Placette, Lausanne, at the opening of a show by Claire de Quénetain.


Vertical Passage


2019
Velvet fabric, wood, chair, spotlight on a stand, speakers, sound recording, cables, sound-card and laptop.


"Visual art deceives the eye, flies on the other hand are a living decoration and also livelier than flowers; because flowers are dull in movement and silent. Even goldfish are silent but the housefly is the poor man’s Canary-bird, gifted with a singing voice that brings back memories to its guests."

Translated from the book ‘Kristnihald Undir Jökli’ by Halldór Laxness.




I Woke Up Sweating


2019
Speakers, amplifier, cables, laptop, latex fabric, pillows, wood.


Made in collaboration with Charly Mirambeau, a wooden bed sculpture covered with latex and a 4 hours sound-piece for the duration of the entire opening. Two channels mix of found stock sounds on a Ravel’s Bolero-like structure, repeating itself but ever changing.


Help Me Pass The Time (Forest Ghost)


2019
Polyester fabric, speakers, amplifier, wood, metal.


A recording of a tree in the Jorat forest in Vaud canton, captured with contact microphones. Two sculptures play the role of trees and their phantoms.




And Time Can Do So Much


2018
Laptop, sound-system, fabric, projector, 2 channels sound, drawing.


A 30 minutes long video with sound running in front of a hanging fabric. The video is a one-shot of two goats in the countryside. They play with the camera out of pure curiosity and thus making the viewer unsure of who is watching who. The sound is made entirely out of voices that are tweaked and distorted.




Brain Malfunction


2018
Household sheets, plastic, spotlights, water, cables, hooks.


The room is dark, the halogen lights help evaporate the water, it smells of detergent and plastic, and the air is moist. The water dripping from the rags echoes in the room and the plastic on the floor cracks when walked upon.



Live Debut


2017
Plastic, digital visuals, paint, beamer, sound-system, microphone.


The first live performance of a solo music project in Herðubreið at the LungA Art Festival in Seyðisfjörður. A hanging piece of plastic was painted with white paint in irregular forms that served as a backdrop for live visuals.